For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy isn't just a play, it's a necessary conversation exploding onto the West End stage, at the Garrick Theatre. This powerful piece by Ryan Calais Cameron delves into the complexities of young Black masculinity, shattering stereotypes with raw honesty and surprising humor.
Navigating the complexities of Black masculinity
The heart of the play lies in the group therapy sessions of six Black men: Tobi King Bakare delivers a captivating performance as Onyx, the tough exterior masking a yearning for connection. Posi Morakinyo and Albert Magashi bring comedic relief as the charismatic Midnight and Sable, with Magashi stealing scenes as the cheeky charmer.
Shakeel Haakim delivers a heart-wrenching performance as Pitch, the introspective soul questioning his place within his own community. Fela Lufadeju portrays Jet's struggle with his sexuality in a beautifully choreographed sequence. Mohammed Mansaray brings a powerful presence to the stage as Obsidian, challenging the limitations placed on Black history.
Cameron masterfully blends mediums. Poignant monologues flow into electrifying dance sequences, poetry interweaves with witty banter, and rap battles erupt into moments of heartbreaking vulnerability. There's laughter, yes, courtesy of the charismatic Midnight and Sable, but the play doesn't shy away from difficult topics. The pervasive damage of racial stereotypes, the burden of toxic masculinity, and the impact of absent fathers are all tackled with unflinching honesty.
What truly sets this play apart is its ability to connect with the audience. The energy is palpable, a mix of gasps, chuckles, and tearful silences. This isn't just a performance, it's a shared experience, a space for Black men to see themselves reflected on stage and for everyone else to gain a deeper understanding.
For Black Boys... is a must-see. It's a celebration of Black joy, a confrontation of Black pain, and ultimately, a testament to the resilience of the Black spirit. It's a play that lingers long after the curtain falls, prompting reflection and sparking important conversations.
For Black Boys... review | What the critics think
“Ryan Calais Cameron’s For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy is a play that demands to be heard.”
— Olivia Rook, London Theatre
"It feels sentimental to talk about audience response in a West End theatre but I can't remember the last time I sat in an audience so consistently rapt. Seriously special."
— Claire Allfree, The Telegraph
"This is my third visit, and each time I’ve been struck by how the piece manages to be both raucous and touching at the same time."
— Jane Edwardes, The Arts Desk
How to buy For Black Boys... tickets in London?
Looking for budget-friendly tickets for For Black Boys... in London? Book your tickets online! Enjoy last-minute availability, choose your seats using the Garrick Theatre seating plan, and skip the queues by booking at your convenience.
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